Sorting Through The Remnants

The first year is for grieving, and the second seems to be settling in as a time of contemplation, of remembering and sorting. In the time since Kristina’s death I’ve read as much as I could handle about the type of personality changes that occurred when her tumor spread to her brain. Much of what happened to her mentally followed the set pattern for prefrontal tumors, but some of it was rare and uniquely her, as she was, as her life was.

We met when we were both fourteen years old, behind a wall of headdresses worn by showgirls in Vegas shows. Her mother was what they then called the wardrobe mistress. She kept all the little pieces of sparkly material and shiny things whole. I remember how her fingers sometimes bled from hours of stitching beads onto tiny pieces of fabric. I also remember her kindness, her love for her daughter, and her acceptance of me, a strange little white girl from a family who mostly spoke something other than English.

I remember that night so clearly. The dancers entered the stage in a mist that cast a muted light on their nearly naked bodies. It allowed every toned muscle, every shadow, every curve to stand out. They wore tiny pieces of flesh covered gauze on their mandatory covered parts, and a powdery glitter on their bodies that danced with them as they moved. It was magical and both Kristina and I watched enchanted as they danced to the haunting notes of a single flute.

This is how our friendship of fifty-six years began. Over the years we became the vaults of each other’s darkest nightmares. I listened to her fears that one day her father would kill her mother. She saw my bruises, the welts, the broken fingers I showed no on else. We became good at hiding each other, of waiting in the shadows until it was safe to come out.

We were with each other during our first high school crushes, and then through all those that came after. I was with her the night her father killed her mother. She was with me the night my father cracked two of my ribs when he kicked me in a blind rage because I wouldn’t give him money.

We learned love broke our hearts over and over again, but we still continued to believe in it. We fell in love with each other, with others, with those who loved us back and with those who didn’t love us back. We both got married in college to men who were not like other men, men we knew would never hit us, abuse us, or abandon us. We were determined to break the pattern, to fight back, to say no, to not live our mother’s lives.

When it came time for graduate school, we ended up on opposite coasts, but not a month went by without a letter, a card, a phone call, and in later years, emails, texts, messages, long full pages of thoughts we worked out on each other. We used our ability to shape thoughts into words for a business that was uniquely suited to who we were as ourselves and to each other. We worked as freelance artists in both print and digital. And we wrote 500 word essays for blogs, news sites, individual writers. The buyer would fill them in with their own words, their own expanded ideas.

We worked hard for little money. It was mostly boring. One of us would start the essay, the other would add to it. We emailed each other the pages back and forth until they were done, ready to sell, boringly complete and precise. Vanilla writing for vanilla people. Even now it is impossible to tell who wrote what sentence. We both did is the only correct answer. It was how our minds worked with each other.

As we got older birthdays became milestones instead of celebrations, and the one that stood out for both of us was the 70th. We called it the year of no fucks left to give, the year we would finally experience complete and total freedom from the expectations of anyone and anything. We plotted and planned, thought of contacting our old peace rat collective from high school, and all the artists from then whose friendships kept us alive during those awkward years. But shortly after her 68th birthday, Kristina was diagnosed with breast cancer.

She dealt with it the way she did everything. She researched it. She studied it. She interviewed those who had it. She visited the dying when she learned it was terminal. But she thought she had time. We both thought she had time. We continued to plan. We continued to hope. And then it spread to her brain and everything turned upside down, inside out, and changed everything forever.

Her memory seemed burned away, forgotten, and replaced with nothing but confusion. Except for one small piece, a period of time when we first met, our high school and undergraduate years. Those years were clear as the present, as real to her as me and Stefano and everyone else in our lives. Except for the holes in her memory of specific times and places, she seemed the same Kristina, as long as we lived with her during that period of time.

But she wasn’t the same Kristina. She didn’t just remember those years. She moved into them. They became her present, her current life, her only memories. In retrospect I can understand how it was more than the tumor. It was also something else that happened as we aged. We remembered the past again. Things that were forgotten are suddenly remembered.

For me it was difficult beyond words. It was a painful time of my life, one I’ve done my best to bury. But because the woman who carried my life inside her, the best friend who knew everything about me went to live there, I had no choice but to follow her.

But I was a bystander and she was a participant. She imagined events were happening that long ago passed into faded memories. She tried to set me up with my high school crush, like she once did all those years ago, only he was long gone. But her brain couldn’t grasp that. She simply did not understand me when I tried to explain. The extent of it didn’t become clear until Stefano and I went through her laptop.

She used voice to text software to contact our past, to give it shape in a world that no longer existed. She wrote to people who didn’t exist, and she wrote to those who did, but not as she remembered them existing. She professed love to those who damaged her ability to love, and she apologized to those who hurt her. Her world was upside down and I was merely a member of the cast, a silent one too numb to do much but shut down everything I felt so it wouldn’t hurt so much when I lost her. But it still hurt. And it still does.

And now it has been over for a while and I understand much more than I did. I know why she chose that period of time. It was where all the unresolved issues lived, because as we aged we developed the skills to at least smooth the edges of those issues that came after. But then we were clueless and so they festered inside us, interfered in everything from choice of lovers to career paths. Our pasts didn’t go anywhere. They just lay in wait.

So besides her loss, besides cleaning up a very large mess she left behind with her strange and bizarre letters to people in our pasts, besides learning to say to myself what I once said to her, I’ve been cleaning up my past. I’ve been confronting the worst of it.

I’ve been painting some it with the help of an art therapist. But most important of all, I’ve been healing from it. I can’t change the damage that was done to me physically, spiritually, psychologically, but I can find the point where I can live with it. In a strange sort of Kristina way, that was the best parting gift she could leave me and I thank her for it. I thank her for living. For loving. For helping me get to this point of delicious freedom where I have no fucks left to give, and all the best memories live in my heart.

Kate Taylor’s Art

Kate Taylor’s Art: Relationships

Relationships between human creatures are one of the most complex puzzles on earth. Not even those attracted to each other can explain exactly what pulled them in to each other’s orbit. Many times it was physical attraction, that powerful moment that strips away everything but sensation, emotion, and desire.

But when it tried to translate itself into love it rarely succeeded, because it tried to capture a moment that no longer existed. Much of my art focuses on that intense attraction between people because it’s fun to paint and I have a lifetime of material and memories to draw from.

Love is more complex. Often people think the physical attraction and mental attraction have to be equal, and so they set themselves up for disappointment. For me the mind has always been the spark that lit the fire. Without that mental connection, the physical one was practically meaningless and interchangeable. But the ones who touched my mind as skillfully as they touched my body are the memories who still remain. It is to them I dedicate these paintings.

Relationships have always fascinated me. On the surface they make no sense, but when you strip away the layers you see the pulls and attractions that define them. For me I have always fallen in love with the mind first. I have lusted after intelligence the way others lust after physical appearances. This painting is in watercolor to depict the fluidity and power of mental connections. I used ink to show the small points, the paths touched together, the moments of mutual inspiration that expand the connection between the limits of physical parameters. The two figures in this painting are stylized depictions of the perfect conversation away from the world. They hide in a surreal forest of privacy. I used the colors of passion and lust, hues of pink and purple with black ink to give the emotions shape and form.

Watercolor and ink on paper, intelligence, sex, passion, relationships, bonding, purple, pink, mental connections, black, patterns, conversations
“Meeting Of the Minds” 11×14 watercolor and ink

Relationships have always fascinated me. On the surface they make no sense, but when you strip away the layers you see the pulls and attractions that define them. For me I have always fallen in love with the mind first. I have lusted after intelligence the way others lust after physical appearances. This painting is in watercolor to depict the fluidity and power of mental connections. I used ink to show the small points, the paths touched together, the moments of mutual inspiration that expand the connection between the limits of physical parameters. The two figures in this painting are stylized depictions of the perfect conversation away from the world. They hide in a surreal forest of privacy. I used the colors of passion and lust, hues of pink and purple with black ink to give the emotions shape and form.

To purchase this painting or for prints on paper or canvas, visit my gallery at
Kate Taylor’s Art

Watercolor and ink on paper, intelligence, sex, passion, relationships, bonding, purple, pink, mental connections, black, patterns, conversations
Black, red, yellow, white, with a touch of metallic green symbolize the stages of love and lust. The reds and yellows are the spark, the flame, and the burning fire. Black is for the void you fall into where nothing exists but the emotions of love, the fiery explosion of passionate feelings. White symbolizes that pure moment between love and lust where both are equal and time stops. The green is for the pastures that are always over the next turn in the hill because we are equally lustful and loving and constantly in search of the dream that is both. I made the background black because I wanted to show how nothing exists except the emotions when the outside world no longer has any hold over you.


acrylic on stretched canvas, red, black, yellow, white, physical attraction, love, lust, abstract impressionism, abstract, dramatic, relationships
DANCE OF LOVE AND LUST
acrylic on stretched canvas
9×12

Black, red, yellow, white, with a touch of metallic green symbolize the stages of love and lust. The reds and yellows are the spark, the flame, and the burning fire. Black is for the void you fall into where nothing exists but the emotions of love, the fiery explosion of passionate feelings. White symbolizes that pure moment between love and lust where both are equal and time stops. The green is for the pastures that are always over the next turn in the hill because we are equally lustful and loving and constantly in search of the dream that is both. I made the background black because I wanted to show how nothing exists except the emotions when the outside world no longer has any hold over you.

To purchase this painting or for prints on paper or canvas, visit my gallery at
Kate Taylor’s Art



acrylic on stretched canvas, red, black, yellow, white, physical attraction, love, lust, abstract impressionism, abstract, dramatic, relationships
LOVE MEETS LUST #1
5x7
acrylic on canvas panel


This is one of a series of small paintings with a similar palette exploring the emotions of love meeting lust. The black background provides a dramatic stage for the yellow, red, white, and cream colors. I wanted to show the soft approach, the cream in the coffee that is most introductions. And then the fiery white hot passionate embrace that explodes with red, yellow and orange flames of energy before it eases its way into the softer hues of love drawn from the same palette.
LOVE MEETS LUST #1
5×7
acrylic on canvas panel


This is one of a series of small paintings with a similar palette exploring the emotions of love meeting lust. The black background provides a dramatic stage for the yellow, red, white, and cream colors. I wanted to show the soft approach, the cream in the coffee that is most introductions. And then the fiery white hot passionate embrace that explodes with red, yellow and orange flames of energy before it eases its way into the softer hues of love drawn from the same palette.

To purchase this painting or for prints on paper or canvas, visit my gallery at
Kate Taylor’s Art

acrylic on canvas panel, red, yellow, orange, white, cream, black, swirls, lust, love, sex, passion
LOVE MEETS LUST #2
5x7
acrylic on canvas panel

This is one of a series of small paintings with a similar palette exploring the emotions of love meeting lust. The black background provides a dramatic stage for the yellow, red, white, and cream colors. I wanted to show the soft approach, the cream in the coffee that is most introductions. And then the fiery white hot passionate embrace that explodes with red, yellow and orange flames of energy before it eases its way into the softer hues of love drawn from the same palette.
acrylic on canvas panel, red, yellow, orange, white, cream, black, swirls, lust, love, sex, passion
LOVE MEETS LUST #2
5×7
acrylic on canvas panel

This is one of a series of small paintings with a similar palette exploring the emotions of love meeting lust. The black background provides a dramatic stage for the yellow, red, white, and cream colors. I wanted to show the soft approach, the cream in the coffee that is most introductions. And then the fiery white hot passionate embrace that explodes with red, yellow and orange flames of energy before it eases its way into the softer hues of love drawn from the same palette.



To purchase this painting or for prints on paper or canvas, visit my gallery at
Kate Taylor’s Art

acrylic on canvas panel, red, yellow, orange, white, cream, black, swirls, lust, love, sex, passion
LOVE MEETS LUST #3
5x7
acrylic on canvas panel


This is one of a series of small paintings with a similar palette exploring the emotions of love meeting lust. The black background provides a dramatic stage for the yellow, red, white, and cream colors. I wanted to show the soft approach, the cream in the coffee that is most introductions. And then the fiery white hot passionate embrace that explodes with red, yellow and orange flames of energy before it eases its way into the softer hues of love drawn from the same palette.
acrylic on canvas panel, red, yellow, orange, white, cream, black, swirls, lust, love, sex, passion
LOVE MEETS LUST #3
5×7
acrylic on canvas panel


This is one of a series of small paintings with a similar palette exploring the emotions of love meeting lust. The black background provides a dramatic stage for the yellow, red, white, and cream colors. I wanted to show the soft approach, the cream in the coffee that is most introductions. And then the fiery white hot passionate embrace that explodes with red, yellow and orange flames of energy before it eases its way into the softer hues of love drawn from the same palette.



To purchase this painting or for prints on paper or canvas, visit my gallery at
Kate Taylor’s Art


acrylic on canvas panel, red, yellow, orange, white, cream, black, swirls, lust, love, sex, passion
This is one of a series of small paintings with a similar palette exploring the emotions of love meeting lust. The black background provides a dramatic stage for the yellow, red, white, and cream colors. I wanted to show the soft approach, the cream in the coffee that is most introductions. And then the fiery white hot passionate embrace that explodes with red, yellow and orange flames of energy before it eases its way into the softer hues of love drawn from the same palette.
acrylic on canvas panel, red, yellow, orange, white, cream, black, swirls, lust, love, sex, passion
LOVE MEETS LUST #4
5×7
acrylic on canvas panel


This is one of a series of small paintings with a similar palette exploring the emotions of love meeting lust. The black background provides a dramatic stage for the yellow, red, white, and cream colors. I wanted to show the soft approach, the cream in the coffee that is most introductions. And then the fiery white hot passionate embrace that explodes with red, yellow and orange flames of energy before it eases its way into the softer hues of love drawn from the same palette.



To purchase this painting or for prints on paper or canvas, visit my gallery at
Kate Taylor’s Art


acrylic on canvas panel, red, yellow, orange, white, cream, black, swirls, lust, love, sex, passion

Kate Taylor’s Art: CITYSCAPES

I am fascinated with the profusion of light in the cities. It is reflected on buildings, in windows, on water, even in the sky. What always strikes me is how all of it is related to pieces of the surroundings. That’s why I paint my cityscapes as abstracts with interconnecting shapes, colors, and reflections to show everything is connected not only to the elements that surround them, but to us as well. I work patterns into my paintings as part of a larger whole. The buildings in my cityscapes pick up color from the sky, the plants, and from their own reflections in the water. Everything is revealed as connected to everything else. You can purchase the original paintings, or prints on both paper and canvas from my online gallery.

Kate Taylor’s Art

CITY IN SPRING

9x12x3/4

acrylic on stretched canvas

This is from my cityscapes series that depict buildings taking pieces of the sky and parts of nature to show how everything connects to itself. I paint these to show how we are all connected, how we are all part of the patterns that make up the whole. The colors in this one are bright and vibrant with the promise of spring. Even among the artificial world of concrete and steel, the green of the new growth and the blue of the sky add themselves to the mix to make a more connected whole.



acrylic, acrylic on stretched canvas, orange, brown, gray, black, green, white, blue, yellow, cityscape, city landscape, urban landscape, abstract, connection, humanity, divisions, disconnection, alienation, separation, buildings, reflection, sky reflected in buildings

Kate Taylor's Art



CITY ON THE LAKE
12X16
ACRYLIC ON STRETCHED CANVAS

This is one of several cityscapes I painted to demonstrate how everything is connected not only to the elements that surround them, but also how we are connected to those same pieces. I use patterns as part of a larger whole to show the relationship of all things to each other. The buildings in my cityscapes pick up color from the sky, the plants, and from their reflections in the water. All those elements contribute pieces of themselves to the overall whole of the pattern. Everything is revealed as connected to everything else.


As an artist in these divided times, I feel a spiritual and moral obligation to remind others how we are all connected, how we are all pieces of one whole. If a tree reflected in the water and sky, also contributes elements of itself to the buildings, it helps us understand how everything in nature is connected not only to its surroundings, but to us as well. I have hope we can begin to understand through art and other creative doorways, that our divisions are not as solid as they seem.

Kate Taylor’s Art

acrylic, stretched canvas, colorful, bright colors, yellow, orange, blue, cityscape, city landscape, urban landscape, abstract, connection, relationships, humanity, divisions, disconnection, alienation, separation, buildings, reflection, buildings reflected in water
CITYSCAPE 2
24×18
acrylic on stretched canvas


From my cityscapes series that depict buildings using pieces of the sky and parts of nature to show how everything connects to itself. I paint these to show how we are all connected, how we are all part of the patterns that make up the whole. The colors in this one are more dramatic. I wanted to show the vibrancy of life that takes place in urban worlds so I used golds, bronzes, shimmering whites and silver to mimic the sun hitting the glass windows and stark concrete. But I also wanted to show that nature, in spite of the walls of concrete that surrounds it, still manages to poke through with green trees, shrubs, grasses, and the different shades of sky blue.

Kate Taylor’s Art



acrylic on stretched canvas, dramatic colors, gold, silver, bronze, black, white, cityscape, city landscape, urban landscape, abstract, primary colors
CITY REFLECTIONS
9×12
acrylic, netting, on stretched canvases


From my cityscapes series that depict buildings using pieces of the sky and parts of nature to show how everything connects to itself. I paint these to show how we are all connected, how we are all part of the patterns that make up the whole. I like the range of play space I have when I paint these scenes at night. It gives them a surreal quality, something that is out of place in the natural world. In this one I added plastic netting for the buildings to both show how we are trapped in this idea of glorified anthills as home, and also to show how things we throw away trap us inside them.

Kate Taylor’s Art

acrylic on stretched canvas, night colors, yellow, silver, blue, black, white, cityscape, city landscape reflected in water, urban landscape, abstract, city at night