- the examination or observation of one’s own mental and emotional processes.”quiet introspection can be extremely valuable.” definition provided by Oxford Languages
I’ve never been a city person. It’s always been me against the noise, the frenzy, the mass of humanity crowded into too small a space. Cities are not good for introspection. They require doing, constant response, and outward focused attention.
There was a time I needed that, thrived on it, depended on it. It was also the life of someone who spent it in the arts. I grew up attending my aunt and uncle’s piano concerts, and those of their friends who were cellists and classical guitarists. I attended countless recitals by their students. I went to museums, art galleries, stage performances. I wanted it live and personal or it didn’t interest me.
As my friends and family developed into their personal arts, I attended their dance performances, concerts, art openings, poetry, book readings, and they attended mine. For the great part of our lives that was how we defined entertainment. It was also the way creatives supported and continue to support each other.
I still go to art openings, although in this time of Covid most of them are online. I still listen to new poems, new songs, new dialogues. But they’re all virtual now. It’s the new reality and I try and adapt the best I can, but I miss the mingling, the walking through the galleries with others, the long conversations over coffee in the bookstores. I miss all that.
But those who create don’t stop creating because the times change. If anything, my friends are working on some of the most compelling and fascinating things now. I’m seeing sides of them emerge I suspect not even they knew were there. Some of it is the introspection that comes from age, but I know a great deal of it grew from the months of quarantine. We’re only now starting to see how it manifests externally.
Kristina has motivated me to write more authentically, to put in those ideas I think are too far out there to be understood. Make them think, she always told me, make them think. She still says that, but the they are not the same they as now. Nor am I. I’m different. There are days I barely recognize myself. And yet I’m still there. I’m still me.
It’s the me who writes books on an island in a house that has more windows than walls. It’s the me who is surrounded by the natural world and with silence that is enhanced by the songs of birds and the wind through the trees. It’s the me who realized I needed this environment to write the books I wanted to write, not the books other people wanted me to write.
I moved to an island seven years ago because I reached the point in my life where I needed to go within in order to proceed forward on the path I needed to take. I wanted to stop the external noise that interrupted the places my mind wanted to go. I wanted to write something that wasn’t about politics but was still political. I wanted my words to have less objectivity and more subjectivity. I wanted to be the change I sought in the world.
I also moved here to achieve the blissful state of contentment I sought. Many people seek happiness, but I sought contentment because unlike happiness, it was stable, calming, a part of me that was not dependent on external realities.
But the most carefully crafted plans of bears and dreamers often take odd turns. As I sought the middle ground in myself I realized it was a place I never lived. I never even got close to it. During one of the last present time conversations I had with Kristina before her mind narrowed to a small period of time, she reminded me of all the things we’ve done together over the years, all the edge clinging, the chance taking, the risks we didn’t know were so risky then. You never did ordinary, not in your art, your words, or your lovers.
Kristina can no longer type, but she can still talk and use the speak to text on her phone. Her emails are just as long, if not so well punctuated. I woke this morning to this list of questions from her.
Do you see your high school self differently now? Have you been able to sort through the good memories and let the bad ones sink to the bottom? Do you see how once you love yourself it becomes easy to love others? Do you feel that in your heart? Do you feel differently now about your high school friends? Do you understand how a small piece of something can seed a larger whole?
At first I thought the tumor was allowing her to move beyond the limited memory that has condensed her life to the years between 1965 to 1975. But then I realized those were also the questions we asked ourselves then. We just never received a satisfying answer.
Kristina is still in her tumor defined world. The time frame of her memory hasn’t changed. She just sees it all differently now. And because I committed myself to going along to wherever her memory takes her, I’ve had to look at those years differently as well. I’m nowhere near done. There are days when I feel I’m just getting started.
After I finish this book, I have an art project that’s been festering. Actually, I have several. And more books. I have time and a whole library of research material not at my fingertips, but living inside them. I intend to spend at least the next year setting them free.
“Life shrinks or expands in proportion to one’s courage.” Anais Nin
My personal website
Kate Taylor’s Art and Books