The Healing Power of Music and Love

Aquia was the character that fit my personal archetypes the most. He was the dedicated professional musician I’ve been around most of my life. I grew up with the endless practice, the constant rehearsals, the recitals, the performances. My adult friends followed the same path through music and the arts. They prepared, they practiced, they created, they performed, and then they started all over again.

It was often a lonely existence, and I used Aquia to show the diverse sides of that kind of solitude. Like all professional musicians, Aquia needed time alone to create, to practice, to perfect his craft. He only emerged from this solitary state to play with others who experienced the same solitude in the same way. When all the different instruments played together, it was the music that spoke a language they all understood. It connected them to each other as powerfully as the most passionate of lovers. But to get there, to arrive at that moment required many hours of loneliness, with little time left over for relationships with anyone else.

Our isolation doesn’t appeal to those who seek a more diverse settlement than one of mostly musicians. We often seem deliberately cloistered to others, but we need to be in order to perfect our craft. Not many understand it takes hours of practice a day, continual practice. We are not the best of companions.

from When The Last River Dies

As a special protege of the Mystics, Aquia was often separated from the other children. He was also set apart from the others by his intelligence and his ability to speak about ideas beyond the understanding of his classmates. The only place Aquia experienced a sense of community was with the other RiverHome musicians. He was most at home among them. He felt they understood him. They were his family and he was theirs. But unlike many of his fellow musicians, something else drove Aquia.

Aquia wanted to understand the inner world of himself. His training with the Mystics, and the hours he spent alone showed him pieces like separate parts of a composition, that he wanted to bring together. Music taught him to see the patterns, and he approached his desire to learn the truth of his parentage the same way. But his path was shaped by his heart; it defined his place in the pattern.

Aquia believed love was the solution to all the world’s ills. It resonated because it fit into the pattern shaped the same way a piece of music resonated with his senses. Music was not an intellectual process for him. It was an emotional one that developed his ability to give and receive unconditional love. This ability was as much a part of him as his musical talent.

Reynard struggled to describe the strange hope he felt in Aquia’s presence. The perfect world he described were the ramblings of a madman. Love was not a legitimate basis for laws. It was an emotional pit that chewed up humanity and then dared it to come back for more. It was the weak point, the threadbare piece of fabric civilization clung to in desperation, knowing it would eventually tear itself to shreds. And yet, Aquia gave it all such a patina of truth, that Reynard felt wrong for doubting him.”

from When The Last River Dies

Aquia’s friendship with Yewen helped him give shape to his sense of connection to a larger whole when he played music, because Yewen understood how everything was connected to itself. The notes that echoed through the canyon were carried on the breath of those who came before. The more Aquia understood his connection to everything in nature, the clearer his own path became.

Aquia smiled softly. “Perhaps you are right. But it is more than what I see. For me, music is also physical. I not only hear it, I also feel it. When I play, I feel the vibration against my skin, inside my veins, and in the rhythm of my heart. There is no inner or outer world in such moments. It is one feeling, one emotion, one continual sound that uses me to vibrate with the universe.”

from When The Last Ocean Dies

Kate Taylor’s Books and Art Ursine Logic

Keeper Of The Trees

Yewen, a monk from the Monastery of the Trees, is also the Keeper of the Tale, as his story is the one that follows a constant thread through all three books. He also changes the most from the first book to the last, as he transitions from Yewen the monk, to Yewen the man.

When we first met him he held the position of not only Scholar Monk, but also Keeper of the Trees. It was his responsibility to not only store knowledge to help future generations save the last of the forests, he also was required to share his knowledge with ten other monks. At no time was he allowed to include his opinion, state a preference, or deviate from the accepted teachings.

“He paused so he could draw it precisely from his memory; monks of his standing were not allowed to improvise when they spoke of material gleaned from written texts. “The more we separate ourselves from nature, the more we distance ourselves from our own growth,” he recited.

from “When The Last Tree Dies

His life began to change when he was taken prisoner by Dada Roach and left in a damp, dark dungeon to die. When he was near death he began to feel a connection with all those who suffered in the dungeon before him. He started to talk to spirits, and he imagined conversations with friends that went far deeper than any words they shared.

When Artemis’ music reached down from the great hall, it pulled Yewen back from the death he was convinced occurred. After his rescue from Dada Roach’s prison he realized he couldn’t go back to the life of Yewen the monk. He couldn’t return to a life of sterile objective facts. By the time he met Aquia in the second book, he already made the decision to not return to the monastery.

“Before I teach anyone else, I need to understand what I’m teaching. What good is it to describe a tree if you’ve never experienced one up close? That’s what I did. I described things without ever experiencing them. I need to live what I know so I can make it mine, so I can personalize it. Only then will I pass on something worth saving.”

from “When The Last River Dies

In the third book Yewen shapes the pieces of himself that will become Yewen the man. When Aquia gifted him with a flute and taught him how to play, he began to understand another neglected world lived inside himself. Through the visions and spiritual encounters, he starts on a path to greater understanding of not only himself, but of others as well.

“I never made something that came from me before, something that needed pieces of me to exist.” Even though he was schooled by Arman Peace, and he spent much of his life around artists and musicians, it was always as an observer, as a learner but never a participant. To create something, to draw an emotion from inside himself and then transform it into something non-verbal to share with others was to Yewen, before now, a form of magic. And now he was one of the magicians.

from “When The Last Ocean Dies”

Kate Taylor Books and Art Ursine Logic

Today’s Ear Worm

All Along the Watchtower


There must be some way out of here,” said the joker to the thief

There’s too much confusion, I can’t get no relief

Businessmen, they drink my wine, plowmen dig my earth

None of them along the line know what any of it is worth

No reason to get excited,” the thief, he kindly spoke

There are many here among us who feel that life is but a joke

But you and I, we’ve been through that, and this is not our fate

So let us not talk falsely now, the hour is getting late

All along the watchtower, princes kept the view

While all the women came and went, barefoot servants, too

Outside in the distance a wildcat did growl

Two riders were approaching, the wind began to howl


© 1968 by Dwarf Music; renewed 1996 by Dwarf Music

My personal website:
Ursine Logic’s Books and Art

The Metamorphosis of Memory

There are many interesting things about getting older that I didn’t anticipate, some good, some strange, some oh holy hell why me. But the one that fascinates me most is the process of remembering the past. I call it a process because I’ve learned it evolves, it changes, it picks up hitchhikers, it weeps and it laughs. Memory is like that. It dances away from what is remembered to how it is remembered. I’ve learned that matters a lot.

In the last year, since I turned 70, I’ve noticed the bad things that happened to me begin to fall away to make room for the good things. I didn’t do this intentionally. It just happened, as if the inner workings of this bear beast of a human chose to have a happy end game. But I didn’t choose.

That’s the part that amazes me and takes me again to scouring the internet tubes for brain stories. It’s hard to let the scholar go when it’s so ingrained in me to research my ideas before embracing them as my own. But I’m learning to let that go and just fly with them, because it turns out nature is a fantastic research library. I’ve learned a lot about myself sitting with the trees, breathing in the saltwater that brings that scent of ocean into my house. I don’t have to show my work because I am my work.

Here is one way this all seems to evolve, using me as the example. I’ve written often about trying to come to peace with my childhood . Basically, I didn’t have one. My father gambled for a living. He wasn’t very good at it. He was also not very good at being a human being. War leaves many victims behind and he was one of its most defective. He left a lot on the casino tables, but not his rage at the world and especially at women. That, he brought home to share with the family. My mother rarely spoke. I remember her as the silent ghost he used to take his rage out on before he came for us.

When he told me I reminded him of his mother, that was not a good thing. It was a condemnation, a chance for him to make up for the damage she inflicted on him. I understand that now. But then I understood only that he was dangerous

I was terrified of him when he was drunk because his violence had no limits. He left a lot of ugly bruises from his rages, a few of them that I carried into the future. He told me I was ugly. I wasn’t. He told me I better study because no man would ever marry me. He was wrong.

I was the classic runaway. On paper. In the real world where I lived I was a shy, awkward high school kid who worked full-time jobs in restaurants, took care of other people’s children, even sold an underground newspaper on street corners. I knew college was my only way out of that hell so I studied even when I was so exhausted I could barely keep my eyes open.

I didn’t have time or the social skills for friends. I can count my high school friends on one hand. For a long time they became part of the memory of then, the bad times, the invisible people who were there but not there. But as I grew more into myself, their faces became more visible. And then an amazing thing started to happen. They began to show themselves as significant influences on my life, even though their time in it was so brief as to seem not worth noting. In the stew of bad memories they rose to the top as the good foam, the tasty, lovely bits you remember in your heart because they made a difference.

There were five in particular I owe my life to. Of course, they undoubtedly have no idea why, but I do. I picked the memories apart and found them. Of course, they were all artists. They lived in the good part of my life, the one with music, dancers, singers, painters, sculptors, writers, and performers. My father was the outlier in this world, the only American in a crowd of exquisitely talented refugees. He was also the only one who was uneducated, who didn’t play an instrument, who didn’t read books, who never went beyond the third grade and was basically illiterate. But in my memory, the rest of my family took the place of him. As I grew older that world became larger than the one he forced me to live in. Memory changed the script for the better.

But those five people, they weren’t part of my family. They weren’t people I worked with. They were my high school friends. They were also mostly gay because I could be friends with them and not have to deal with the whole concept of relationships, boyfriend-girlfriend, commitment and all those other phobias. And two of them were black during a time when just hanging out with me was dangerous for them. I learned a lot about courage from them.

But of that tiny group of friends, one in particular stands out because I saw myself in him, in his lovely shyness, his sweet nature, and his strange home life. Of course, I see that now with the gift of memory metamorphosis. Then, my memories of him were simple. I remember his house and how he made a fort out of his bed with hanging curtains. I recognized a hiding place when I saw it.

I met him at the worst time in my life when my father was the most violent. When he nearly knocked one of my teeth out with a belt buckle I began my career as a runaway. One of the places I ran away to was his house. It didn’t last long, mostly because my father had found out about him so to protect him I ran away from him too. I couldn’t take the chance of him being hurt by that monster. He was too good a human being. When he called me he would use different names but I always knew it was him. And then I got scared for him and was afraid to answer the phone. Try and I might I just can’t remember how we parted. I did see him again a couple years and it was the last time, but he’s always held a place in my heart.

In later years I thought about him. I wanted him to know what it was like to have someone care about me as a person, to hold me and make me feel safe. I got to sit in his lap crammed in the car with everyone else and enjoy the teasing that I had a boyfriend. I had a sweet crush on him, my first experience with those kind of feelings. It’s a good memory.

What he never knew was that he saved my life one night when I showed up at his house. I had reached the limit of living on this planet. I was exhausted. I had bruises all over my body. I made him turn the lights off in the unlikely chance he tried to remove my clothes because I didn’t want to explain what was underneath. There’s so many stairs you can fall down. I wanted to kill myself. I wanted the hurting to stop. I came to his house to say goodbye. Instead he held me, let me hang out in his fort, and saved my life. He came to visit me shortly after I got married and then he moved away. For the longest time I saved the cartoons he drew for me. And then the box they were in got lost. I remembered how sad I was about that.

The only one who wasn’t gay was my first experience of being loved by someone I didn’t have a clue how to love back. He was two years older, an immigrant child like me, but he came from France. I thought that was wonderfully exotic. And he thought it was exotic that most of my family was born in the same city but different countries. He would introduce me to his friends as the girl who was from that place where the boundaries always changed.

Without even sharing so much as an innocent kiss, we made plans to move to France. I applied to the Sorbonne and was accepted, much to my shock. All I had to do was get another job to pay for the tuition and living expenses. I did and began saving my pennies. And the plans began to take shape. I had a future that would take me away from the brutality of my father. I would get to be an artist, to write poetry, to live among those who didn’t think I was too ugly to love.

And then he was drafted. I begged him to run away. We were part of an antiwar group that helped conscientious objectors with letter writing, witnessing, making up shit to get them rejected, and when all that failed, arranging for our network to hide them in Canada. It would have been so easy. But he was an optimist. We were both poor broke kids. He saw a chance to pay for school, buy a house for us, and make a life together. He was killed in Vietnam within weeks of being sent there. I burned the flag they gave me from his coffin. I was done with love, even though I never really loved him. But I needed him. That was better than love. Memory works that way.

And I ran away for good. This time I was 17 so the police couldn’t bring me back, especially since I had a full-time job and was capable of supporting myself. I stayed away for many years and made contact again only after my father finally died.

I met a man at work when I was 18. He was a lot like me, a loner, the oldest child in a family with dysfunctional parents. I told him the first time we talked that I had no interest in marriage, I didn’t want children, and I was an Atheist. Turned out he didn’t want the same things. So I took him to a party where we were the only white people because it mattered to me that he accept two of my closest friends.

Within five minutes he was explaining the significance of her astrological sign to my friend’s wife. He left with my friend’s BBQ sauce recipe, an honor reserved for those he liked. “He’s a good man,” my friend whispered to me on the way out the door. “You deserve good. Take it.”

I thought okay this one has potential. So I took him to meet the family, starting with my grandmother who didn’t speak English and moving on to the others who spoke with accents. The only ones who didn’t have accents were my cousins. We grew up in America. I explained to him the role of immigrant children as translators, that we were the ones who answered the doors and the phones, and that’s why it was easy for me to go from one language to another. I’d done it most of my life.

I put that in practice, that moving from one language to another when we moved in together and began what has become a 50 year plus friendship. We talked a lot during the pandemic. He learned things about me. I learned things about him. We talked about how memory changes as we grow older. We talked about those we loved, the relationships with others we never denied each other. We have always believed in love and there are no limits if you truly believe. You love or you don’t. We loved and still do and always will. It’s who we are.

In the last year I’ve done something that I suspect other old people do when the memories change from bad to good. I’ve gone back and tried to find those who saved my life just with their presence. I’ve connected with two so far. It’s been affirming, necessary, good for all involved. They needed to be thanked. Still waiting to hear back from my high school crush, but if he doesn’t that’s okay. I love him differently now than I did then. It’s the love of gratitude, of appreciation, of knowing love doesn’t need an object or a presence, but merely the feeling in the heart that stays with you for life. One of my life lessons was learning once you love someone, that feeling never dies. Love is like the sun. It doesn’t die because night falls. It just changes and becomes easier, a softer and more gentle part of self. He’s one of my sweet, gentle memories.

And yes, part of my wanting to contact these people, was first of all to say thank you. But also to make sure they were okay, to reassure myself and especially them, that when you save someone’s life they will always be there to save yours because memory works that way.

My personal website:
Ursine Logic’s Books and Art